



Bauhaus, Biomorphic,
Cubist, Dada, Geometric, Mobiles, Modernist Jewellery, Organic,
Surrealist, Contemporary Modern Couture, Studio Jewelry Designers
Form & Function:
American Modernist Jewelry, 1940-1970 - Marbeth Schon 2008
This
book is the catalog for two of the first major exhibits to show
only modernist jewelry from such a broad group of artists. Both
take place in 2008 in Fort Wayne, Indiana: one at The Fort Wayne
Museum of Art (May 2 to Aug. 24, 2008) and the other at The University
of St. Francis School of Creative Arts (May 2-30, 2008). Over
fifty collectors and living art jewelers have lent some of the
best examples of this innovative style. Sculptors Alexander Calder,
Harry Bertoia, Jose de Rivera, Peter and Daniel Macchiarini, Earl
and Tod Pardon, and Merry Renk are among the 96 artists featured,
along with their extensive jewelry creations. Their work was experimental
and stimulated originality in successive generations. Plastics,
pearls, brass, copper, silver, gold, and enamels are among the
materials found here in mini-sculptures and jewelry ornaments for
men and women alike. The author's extensive research uncovers connections
among the artists and documents this important art period and medium.
Artists, collectors, cultural historians, and students all will
want to see the exhibits and own the catalog.
Modernist
Jewelry 1930-1960: The Wearable Art Movement - Marbeth Schon 2004
This beautifully written book explores the
work of 175 of the most important American modernist artist jewelers
through a comprehensive text and over 540 color and 35 black and
white photos. Beginning with the streamlining of Art Moderne, modernist
jewelers mirrored the consciousness of their age. They were free
thinkers artists who broke away from the mainstream of jewelry
design and looked to the fine arts for inspiration; they were Surrealists,
Cubists, and Abstract Expressionists functioning as sculptors in
small scale, painters in enamels, and architects in miniature.
The modernist metalsmiths of the 1930s through 1960s laid the groundwork
for the enormous expansion of metalsmithing in the 1970s and '80s.
These creative jewelers produced personal designs as they absorbed
the changes happening in the world around them. The artists' stories
and jewelry are arranged chronologically and linked to four pivotal
exhibitions held at the Museum of Modern Art, New York City, in
1946; the Walker Art Center in Minneapolis, in 1948 and 1955; and
an exhibition on paper in 1959. Together, the artists at these
important events comprise the modernist movement of wearable art
directly and through their influence on the subsequent generations.
This important book will stand as the primary reference to art
jewelry of the mid-20th century and be consulted by all who want
to understand the innovations it embraces.